6 Comics to Pick up this Week (09/18/19)

FLASH FORWARD #1 (OF 6)

DC Comics
(Wr) Scott Lobdell (A) Brett Booth, Norm Rapmund (CA) Evan Shaner

Following the events of Heroes in Crisis, Wally West sets out for redemption after the multiverse was re-written without him in it. After the uproar of Wally fans responding to Heroes in Crisis, I’m curious how DC, with this mini-series, attempts to sway back into the good-graces of Wally’s most fervent fans.

INFERIOR FIVE #1 (OF 12)

DC Comics
(Wr) Keith Giffen, Jeff Lemire (A) Jeff Lemire & Various (CA) Keith Giffen, Michelle Delecki

After the “Invasion” that rocked the DC Universe, the citizens of Dangerfield, Arizona are affected by strange goings-on — but only five misfit kids seem to notice them. Can they uncover what’s happening before some sinister force collects them all? Stranger Things meets X-Files? Sign me up!

SPIDER-MAN #1 (OF 5) CHIP KIDD DIE CUT VAR

Marvel Comics
(Wr) J. J. Abrams, Henry Abrams (A) Sara Pichelli (CA) Chip Kidd

WHO IS CADAVEROUS?! WILL J.J. ABRAMS (and son, Henry) KNOCK SPIDEY OUT OF THE BALL-PARK?!

More importantly, ARE DIE CUT COVERS COMING BACK?!

I don’t know which I am more excited to find out. Jokes aside: I am very excited to pick up this issue. I think Spider-Man is in good hands with the incredible writing of JJ Abrams and the always stunning artwork of Sara Pichelli.

I also LOVE that it is a mini-series, which always feels re-assuring to me when considering to start a new series. Just enough commitment to not feel like I’m committing to (approximately) a million issues.

ABSOLUTE CARNAGE #3 (OF 5) AC

Marvel Comics
(Wr) Donny Cates (A/CA) Ryan Stegman

THE SUMMER OF SLAUGHTER CONTINUES!

HOLY SMOKES, this series is amazing. From the captivating story to the jaw-droppingly-gorgeous artwork, I am HOOKED! What is in store for the Venom/Spider-Man gang, and who will they recruit to help fight off the massacring masses following the orders of Carnage? 

FOREVER MAPS #1

Scout Comics
(Wr) Michael Lagace (A/CA) Todor Hristov

I am always down to pick up a new Scout Comics first issue, and this story pulled me in like a fly to honey.

In 1794, John finds a map, follows it, and when he arrives at the end he finds another map, and another and another and SO ON! Decades later he realizes that as he follows these maps, he does not age — after about 100 years, he realizes that when he stops, time starts to catch back up with him.

John is torn between family and immortality: does he choose living forever? Or having a life worth living?

I can understand some of the not-so-nuanced symbolism to modern life in this story, but I have not yet had enough Red Bull to decipher it beyond that…Regardless, I am seriously intrigued.

YOU ARE OBSOLETE #1 CVR A CLARKE

AFTERSHOCK COMICS
(Wr) Mathew Klickstein (A) Evgeny Bornyakov (CA) Andy Clarke

After reading the description of this comic, my first thought was “Ew.” Right on time for spooky-season, this comic sounds like it will give you some serious chills, heebie-jeebies, and general discomfort (especially for those nearing or surpassed 40 years old).

On an isolated European island, a reporter discovers that children have taken control over the island and are killing off all adults by their 40th birthday. (Sounds kind of like Lord of the Flies, no?) She must discover what is behind these killings while staying on the good side of the children’s harsh leader. Got the creeps? Yeah, me too.. 

6 Comics to Pick up this Week (09/11/19)

GOTHAM CITY MONSTERS #1 (OF 6)

DC Comics
(Wr) Steve Orlando (A) Amancay Nahuelpan (CA) Philip Tan
I am absolutely GETTING IN THE SPOOKY SPIRIT and diving right into this comic on Wednesday!

Frankenstein has to take down his former mentor, Melmoth, so he heads to Gotham City in search of allies. He recruits Killer Croc, Lady Clayface, Orca, and vampire Andrew Bennett… but will these dreaded creatures be enough to save humanity before the entire cosmos collapses in on itself??

Zoinks! Gotta pick up this ghoulish issue to find out!

BATMAN #78 YOTV

DC Comics
(Wr) Tom King (A) Clay Mann (CA) Tony S. Daniel
Tom King has created an interlude to the final story arc of his long-running Batman series featuring our favorite feline badass and Batman’s ex(?)-fiance, Catwoman!

Selina knows how Bane is fueling his regime in “City of Bane,” and she’ll help Batman shut down the supply line — but first, she has to whip her battered Bat into shape.

I am going to keep all of my fingers and toes crossed that this interlude will lead to a happier (than Batman #50) ending between Catwoman and Batman (that I may or may not have held a bitter resentment about ever since that issue was released over a year ago). Don’t let me down Tom King!

KING THOR #1 (OF 4)

Marvel Comics
(Wr) Jason Aaron (A/CA) Esad Ribic
The epic conclusion to Jason Aaron and Esad Ribic’s INCREDIBLE Thor story.

Seven years ago, Jason and Esad introduced the Thor of the far future, All-Father of a broken realm and a dying universe, as he stood in battle against the Butcher of Gods, wielder of All-Black the Necrosword. Now that nefarious blade has returned, in the hands of Thor’s all-time greatest enemy — his brother, Loki — for one final, cataclysmic showdown.

Buckle up, folks! It’s going to be one hell of a final series.

DAREDEVIL #11

Marvel Comics
(Wr) Chip Zdarsky (A) Marco Checchetto (CA) Julian Totino Tedesco
New story arc!! I really enjoy Chip Zdarsky’s writing, and if you haven’t caught this series from the beginning, this new story arc “THROUGH HELL” would be a great place for new readers to dive in!

TREES THREE FATES #1 (OF 5)

Image Comics
(Wr) Warren Ellis (A/CA) Jason Howard
Continuing my interest in spooky things in this upcoming Halloween season (I tell myself, even though I love spooky and horror all year ’round), I will be picking up the first issue of this horror / mystery continuation of Trees, a series created by Ellis and Howard.

“Trees Three Fates” — In the remote Russian village of Toska, there’s a dead body by the leg of the Tree that landed eleven years ago. Police sergeant Klara Voranova, still haunted by that day, has no idea how this murder will change everything-nor what awaits her in the Tree’s shadow.

COFFIN BOUND #2 (MR)

Image Comics
(Wr) Dan Watters (A/CA) Dani
Holy smokes. I am honestly shocked that I am adding this comic to my “Books to Pick Up!” list this week.. The first issue… what to say, what to say… it reviewed VERY well by creators.

The description of the first issue was just RAVING reviews by creators about how amazing this comic was. My expectation was that it would exceed (or at least meet) the reviews from so many of my favorite writers.

It was a difficult read; the dialogue almost felt like I was reading lines from the Canterbury Tales. THAT BEING SAID, I loved the artwork and I loved the idea of the story and how shockingly breathtaking many of the scenes were.

Even though the dialogue was obscure, I am going to pick up the second issue to give it a fair shot and see where this story goes!

Everything You Need to Know about House of X #1

Geopolitics, genocide, drugs, religion, corporate entities, Magneto — House of X #1 has it all. This is the kind of story that requires you to pay attention.

That one promo image for HOUSE OF X that you’ve seen 5,000 times.

The Most Important Things from HOUSE OF X #1

Humans of the planet Earth. While you slept, the world changed.

Professor X, epigraph

What is Krakoa?

Krakoa is Charles Xavier’s perfect mutant habitat, a garden of Eden with no snake, no fruit of knowledge, no Eve, no Adam — and especially no God. The island is the seat of the sovereign mutant nation-state established two months ago.

Cyclops says that “New beginnings demand a wide berth.” In the opening pages, we see X-Men planting flowers around the world over a five month period. They’re planting roots in the natural world to grow the infrastructure of their sovereign mutant nation.

Only mutants can access Krakoa. Advantageous gateways allow mutants to travel all around the world via the Krakoan ecosystem, but only mutants can access those portals. If humans are present, the gateway grants or denies permission for them to enter — but only if a mutant asks on the human’s behalf.

Make no mistake: Charles Xavier is creating a distinct culture, with its own language, land, economy, environment, and drugs.

The Flowers of Krakoa

This chapter title refers to the flowers/drugs that allow mutants to access different environments and states of consciousness unavailable to humans.

We learn that Xavier acquired a pharmaceutical company to produce pills that enhance the immune system, lifespan, and mental health of humans exclusively.

This sets up an interesting contrast between humans and mutants. Mutants: natural (flowers), community-centered. Humans: synthetic (pills), self-centered.

Krakoa Pacific

The introductory pages provide a geography of Krakoa, with indicators to 12 key locations.

According to Dr. Gregor, who is a pretty foundational character in the series, humans only have 20 years left before extinction.

Pan to outer space, where we see The Forge — a space station shaped like a giant Sentinel head. This outpost will help humanity “survive the coming days” in accordance with the Orchis Protocol (explained below).

Orchis Protocol: Build for Doomsday

This protocol is a response to a unique scenario when human population is threatened with extinction, the moment when natural selection finally chooses mutantkind over mankind.

The word “Orchis” is derived from Greek for “testicle.”

Three triggers cause this doomsday scenario, and they’re distinctly political:

  1. Population: mutant gene rates are escalating
  2. Financial: Charles Xavier acquired the seventh-largest pharmaceutical company in the world to make cure-all pills, a move predicted to destabilize the industry and provide him a unique advantage
  3. Territorial: the nation of Krakoa is established

After this context, we see mutants obtain a copy of the combined database from 2 smartest people in the world. They are confronted with the Fantastic Four upon their escape. The contents of the data are unknown, and it makes a solid cliffhanger.

Damage Control

There is a corporate entity weaponizing Iron Man’s and Mister Fantastic’s technology. They add this ownerless intellectual property to an archive of similar assets where there is no clear chain of custody over that intellectual property.

Scott Summers/Cyclops tries to diffuse the situation with the Fantastic Four. using it as an opportunity to state Xavier’s politics. This moment draws an interesting and deliberate line between Marvel’s heroes and their ideologies.

Omega Level

The book ends by suggesting Magneto finally has his chance to be a god.

HOUSE OF X variant covers

Omega Level mutants are an elite class of the world’s most powerful mutants, of whom the Krakoan state is especially protective. Magneto is one of these rare beings.

Charles Xavier has made you an offer — one full of grace and brotherly love — but one that is also written in stone. This is not a negotiation. Things will be different now, and the sooner you realize the finality of your situation — and the inevitability of ours — the sooner you will be grateful for the things we are so generously giving to you.

Magneto

Mutants are the new gods, so it’s fitting that the ever-dramatic Magneto needed to make this statement in Jerusalem, the birthplace of the three Abrahamic religions: Islam, Christianity, and Judaism.

Time is a Flat Circle

The book, after starting with a quote from Charles Xavier, ends with a Magneto quote.

I have a new word for the lexicon of man: KRAKOA. And in the future, when you speak it, make sure you do so softly and with proper deference. For we will be listening.

Magneto

This speaks to the unity of mutants, and also makes the reader question just how aligned Xavier and Magneto really are. Would Xavier threaten humanity this blatantly? Is he already doing that?

HOUSE OF X & POWERS OF X Reading Order

“Two Series That Are One.”

House of X #1July 24, 2019
Powers of X #1July 31, 2019
House of X #2August 7, 2019
Powers of X #2August 14, 2019
Powers of X #3August 21, 2019
House of X #3August 28, 2019
House of X #4September 4, 2019
Powers of X #4September 11, 2019
House of X #5September 18, 2019
Powers of X #5September 25, 2019
House of X #6October 2, 2019
Powers of X #6October 9, 2019

Rating 9.5/10

  • Jonathan Hickman writes a unique premise that engages a lot of contemporary social and political issues.
  • Incredible graphic design from Tom Muller.
  • Bright and luscious colors from Marte Gracia softened the heaviness of Pepe Larraz’s lines, creating art that is on par for Marvel.

STRAYED #1 by Dark Horse Comics: Advance Review

At roughly 55.5 million views, “Keyboard Cat” is one of the most popular videos on YouTube. Though it’s been over a decade since that glorious clip was uploaded, Keyboard Cat speaks to an enduring trait of American culture: we love to watch cute animals do cute things.

When cats are involved, people will pay attention. Just ask Lying Cat, from Brian K. Vaughan’s critically acclaimed Saga series. There is another promising addition to the “Cats in Comics” canon with Strayed, releasing on August 14 from Dark Horse Comics.

What’s STRAYED about?

(No spoilers.)

In the world of Strayed, a military-industrial complex fuels a relentless hunt for resources across the galaxy. This campaign is helmed by the “Infinite race,” who colonize planets and upend the lives of their native population in the process.

Strayed Variant Cover Dustin Nguyen Lou the Cat in outer space
Variant cover for issue one of Strayed by Dustin Nguyen.

In order to identify planets ripe for colonization, the Infinites enlist a cat named Lou for his powers of astral projection — which allows his mind to travel through space. He reports what he sees through a translation collar made by his loving owner, Dr. Kiara Rodriguez.

Both are working for the Infinites against their will, unable to leave until their mission is complete. For months, Lou and Kiara live in the confines of a top-secret military base somewhere in space as the Infinites pillage planets, kill innocents, and take what is not theirs. Unable to see each other freely, Kiara and Lou are essentially prisoners longing to be home where they can feel like family again.

The story climaxes when the Infinite leaders have found an alternate use for Kiara’s translation device. Will Lou and Kiara continue to work for the Infinites and be complicit in their crimes? Or will they risk their lives to break the chain?

The Writing in STRAYED

In issue one of Strayed, Carlos Giffoni’s writing gracefully balances violent depictions of colonialism with moving displays of love between a pet and his companion in life. There were so many tender, surprising, clever, frustrating moments that Giffoni wrote into issue one of Strayed.

Carlos Giffoni author of Strayed from Dark Horse Comics

Carlos Giffoni is a Venezuelan writer, musician, and video game creative director/producer currently living in LA.

Every debut comic needs to create an interesting world inhabited with compelling characters. Strayed does just that. Anyone who is passionate about their pet will attach themselves to Lou and identify with Kiara. Anyone who sees colonialism as a violent force of greed will want to rebel against the Infinites.

The Art in STRAYED

Artist and colorist Juan Doe’s unique style works perfectly in this outer space setting. (This was especially true during Lou’s vivid — and important — nightmare sequence in the middle of the book.) Lou’s face and eyes are highly emotive, expressing insight, fear, and love. The consistent palette of reds and greens make every gesture, feature, and detail pop, which enhances the reading experience.

Strayed Issue One Comic Cover Dark Horse
Strayed Cover A.

My favorite show of artistry in Strayed is the non-traditional panel structure used throughout. Rather than favoring a traditional grid layout, Doe draws panels that use symmetry or hierarchy of size to convey the narrative. For example, the two-page spread for Lou’s nightmare shows his face in the middle, as the jarring events of his dream swarm around his head in organically-shaped panels.

Matt Krotzer’s lettering in Strayed is also worthy of praise. Always capitalized, the letters have variations in style, weight, and size. Krotzer uses a different lettering style for Lou to instantly convey that he uses a translation device to communicate, setting a pitch and tone for his dialogue.

Strayed Comic Rating

9.5/10

In STRAYED, Giffoni, Doe, and Krotzer create an emotionally and intellectually engaging world of characters, metaphors, and themes. The story is personal and political, cute and horrifying, strange and serious, all at once.

Review: Superman’s Pal Jimmy Olsen #1

Who would’ve thought that a Golden Age character would become the poster-boy for “pivot to video”? Well, in Matt Fraction and Steve Lieber’s newest maxi-series, anything’s possible. Superman’s Pal Jimmy Olsen #1 is a hilarious collection of four related short stories provide a “bizarre tour of the underbelly of the DC Universe.”

The series opens with a family history of the Luthor and Olsen families, focusing on their role in shaping Metropolis. In a hilarious death sequence, Jimmy’s “great-great-grand-something” falls to his death after getting whacked with a shovel while disputing over the land that would be Metropolis. After this brief history, we see a standard day in the life for Jimmy Olsen: falling from outer space with nothing to break his fall…while metamorphosing into a giant turtle, thanks to a biomedical experiment. Though Superman tries to save his life and prevent major damage to Metropolis, he shatters The Monarch of Metropolis — a massive lion monument/tourist attraction erected by the Luthor family.

These shenanigans are fun, but the story really hits its stride in the second half. Jimmy’s space turtle fiasco costs the city and the Daily Planet, but the video of his fall is the only thing bringing money in for the publication. He’s too much of a liability for Metropolis, but he’s good for business, so Daily Planet’s publisher relocates him to Gotham. After moving in to his crappy new digs, it’s revealed that the Daily Planet published a front-page fake news story about Jimmy Olsen getting murdered!

For me, this was a comical story about the “long, slow death spiral” of print media, as the comic puts it. The “pivot to video” and clickbait trends are central themes to this story filled with wacky plot points. Fraction uses puns, witty wordplay, and slick sarcasm in a measured way that complements the strange subject matter. Steve Lieber’s art is just cartoony enough to match the funny script, and the colors heighten the Golden Age nostalgia while remaining crisp.

Credit: DC Comics

Rating 9/10

I need to learn more about the DC Universe, and this comic seems like an amusing tour de force. As a writer, I’m delighted to see comic creators working in a print-based medium address the challenges of the twentieth century. Although comics have adapted to the digital medium (with Comixology), the silver screen (MCU movies), and smaller screens (YouTube reviewers), it’s nice to see a traditionally print-based medium address its own reckoning in such a lighthearted way.

Invisible Woman #1 Review: Has Potential to Be about Infidelity, But Probably Won’t Be

Susan Storm is one bored MILF.

I assume that bored moms let their minds wander to the past, a time when they were less bored. If a bored mom is unemployed now, she might think about former career highlights. If her children are young, and if there are a lot of them, she might fantasize about the days when all she had to worry about was herself. If she’s unhappy in their marriage, she might think about more emotionally and sexually attentive boyfriends and lovers from the past.

From what I can see in issue #1 of Invisible Woman, Susan Storm is a bored mom. This is very clear, and yet I think I’m the first one to come out and just say it already. The creative team connects the past and present in issue one to explore Susan’s determination to break free from matronly routines.

What happens in issue #1?

Writer Mark Waid opens the series with a flashback to back to more than a decade ago, during Susan’s espionage mission for S.H.I.E.L.D.. What happens in that mission doesn’t matter at all. The scene merely exists to establish her relationship to her handsome partner, Aidan Tintreach (whom she calls Squarejaw), and their differing approaches to their line of work. He is fine with killing if it means surviving a mission; she isn’t.

Credit: Marvel Entertainment

That’s not where their differences end. Aidan/Squarejaw wants to be with his beloved “Stormy” romantically. She denies him that honor because she’s busy with the Fantastic Four. She’s also engaged to Reed Richards.

Fast-forward several years later, during which Susan doesn’t age at all. There’s some internal monologuing about she’s fine with being stuck in a routine before she is summoned to the C.I.A. headquarters. There, she learns that Aidan has been captured by terrorists/spies and is being tortured for intel. As he was being captured, he left a coded message: Stormy. How romantic!

Naturally, the old, white C.I.A. man tells her that she is not to intervene whatsoever. Naturally, Susan flies to Moravia, the fictional Marvel country where Aidan is likely being held hostage. Once she’s there, she meets the Black Widow, who bears a freaky resemblance to Nicole Kidman. Marvel just can not resist a crossover.

Rating 5/10

Until the series concludes, I’ll tag along for the distinct pleasure of looking at Mattia de Iulis’s art. It’s as if he’s spent his whole life analyzing the way light bathes objects and people. The way he renders fabrics — cloth, suits, cotton, denim, and leather — is overwhelmingly satisfying, better than real life. If someone from 1910 saw the realism of his art, they would have died from shock.

Mark Waid, if left to his own devices, might make this a story about Aidan and Susan’s chemistry, which might boil over into something physical when they inevitably meet again. Marvel, if left to its own devices, will not let that happen. Marital infidelity is not part of Disney’s (and by extension, Marvel’s) brand. I expect some lukewarm compromise between these two possibilities, filled with mostly action scenes.

Review of SILVER SURFER: BLACK from Donny Cates and Marvel Comics

Silver Surfer: Black is a passion project for Donny Cates, and it shows. It’s the culmination of boyhood dreams, professional ambition, meticulous plotting, expansive imagination, and hours spent writing, refining, writing again.

Issue one of Silver Surfer: Black is a cosmic blend of Donny Cates’s soul and Marvel corporate. Each an invincible force gleaming with incomprehensible power like the Surfer himself.

In order to write something this plotted, you have to really love comics. I’m not sure enough people know that Editorial at Marvel really does love comics. Sure, their names are credited in the issue, but…

Since Marvel’s Editorial team so relentlessly and effortlessly interweaves story arcs, characters, and universes, I’ll leave it to them to catch you up on the cosmos before we get into Silver Surfer: Black.

To save his planet, Norrin Radd surrendered his freedom to become herald to the world-devouring Galactus. Coated with galactic glaze, given a surfboard obeying his mental commands and granted the power cosmic, he now soars the universe as a shining sentinel of the spaceways! The galaxy was in chaos after Thanos, the mad titan, was killed. The cosmos’ greatest warriors gathered to hear the reading of his last will and testament — only to be attacked by Thanos’ Black Order! In the ensuing battle, the Black Order opened a black hole and cast several heroes — including the Silver Surfer — into the abyss. Now, drowning and unmoored in an endless void, the surfer is lost…

Silver Surfer Black, issue one preface

Reading experience

For us, Silver Surfer: Black is a comics zeitgeist moment. A tribute to the past and beginnings of the Marvel Universe, publisher in a time when the future of comics never seemed so bright, from self-published webcomics to global movie domination. This comic is a spectacle worthy of the infinite variant covers it has spawned. It’s the most poetic and vulnerable comic I’ve ever read.

For Marvel, it’s a boon. A comic that can increase their dominant market share just a bit more, get readers to buy into new universes. To fully understand this departure from reality in your hands, I’d say you need to know your Guardians of the Galaxy — and Donny Cates’ entire magnum opus. (I took Marvel Editorial up on their advice and acquainted myself with Guardians of the Galaxy — Annual #1 and Guardians of the Galaxy #1, both released in 2019.)

Cates’s writing is poetic and ambitious. (My favorite line: “Celestial tides crash upon me, starless and infinite.” My favorite words: “felled,” “cull,” “unmoored,” “bedlam.”) The story reads as if it is fresh off the lips of an omniscient being shouldering the trauma of millions, rather than a guy in Austin, Texas.

The framing of the story is equally poetic. Cates’s Silver Surfer begins by saying he is known as Death, and ends by affirming “I am not death. I am a blazing light in the abyss — and though drowning in the shadows — overwhelmed and suffocated by the dark —I ignite. I shine.”

How’s the art in SILVER SURFER BLACK?

There is, of course, another poetic element to this story. The dynamism between the words and art shows just how far back Cates and Tradd Moore go, from former classmates at Savannah College of Art and Design to the top of the most world-renowned comic book company.

The history here — between Cates and Moore, Cates and Stan Lee, and Lee and Kirby’s surfer plus the Surfer of 2000s movies & modern angst — is something to behold. And it is a visual spectacle to behold, indeed — with a texture, weight, arrangement, and palate unlike anything else currently published.

The fluid expressions of Moore’s lines, Stewart’s colors, and Cowles’s letters are perfect for this epic. It’s hard to imagine the fabric of reality tearing apart into something timeless and infinite, but these guys can.

My favorite visual moments:

  • Silver Surfer crying as he relives the worst period of his life. The tear fades into a speed trail.
  • The black hole pages have psychedelic borders made of earthy tones. If there were a shirt with these patterns on it, I’d buy.
  • The physical and atmospheric deformities caused by the torrent of motion and time in the black hole.
  • The revelation of the Surfer’s black, iridescent hand is absolutely iconic.

Contains Spoilers: What happens in SILVER SURFER BLACK issue one?

Norrin Radd — the Silver Surfer, Sentinel of the Spaceways, the Herald of Galactus unchained — goes by many names, including death. Throughout, he grapples with his complicity in decimating people and planets by Galactus’s side. He feels remorse over his “cold stare” and “stone inaction.” He sheds a silver tear.

After this recap, we see Norrin fall into an endless wormhole with the other Guardians of the Galaxy. He implores Beta Ray Bill to summon Stormbreaker and create a chasm black hole. (If you don’t take my word for it, then consult an interdimensional galactic physicist or Donny Cates.) After this disruption, the Silver Surfer tears through the abyss, his speed and power cosmic eventually breaching the fabric long enough for his fellow heroes to escape.

After they are safe, he collapses. Saving pantheons of heroes absolves his guilt only partially. Now he must ponder his guilt indefinitely as he careens through something beyond spacetime. He floats and falls for years, hurting, healing.

Suddenly, he senses that there is a planet eons away where evil forces are killing the innocent. He answers the call and is confronted with three giant sentries guarding some phallic metal thing. They engage in a battle, against the Surfer’s wishes and pleas for help.

Instead of killing the sentries, he restores light to this dark, barren world. The hand he used to birth that infant star becomes black and iridescent.

Is the black hole part of him now? It seems so. It seems the blackness might consume him.

The sentries are revealed to be “goddesses of some abandoned pantheon.” They must have been under some spell, because their faces are revealed when they were concealed before, and their faces are beautiful.

He investigates the mysterious metal structure, now opened. In a Marvel-Cates checkmate moment, Knull awaits the Surfer inside. (It is implied that the Surfer was catapulted to the beginning of time, and now he stands before the father of Symbiotes, Knull.)

9/10 Rating